Joanne Ramos

“couldn’t be more relevant or timely”

“Equal parts feminist dystopia and immigrant story, Ramos’s debut novel couldn’t be more relevant or timely.”

–O: The Oprah Magazine

“Hopeful that Ramos will pen another book soon.”

“…her ability to explore the nuances of these questions in the first place — in tight, spare prose, with well-placed plotting, no less — makes me hopeful that Ramos will pen another book soon.”

Hayley Phelan, Los Angeles Review of Books

“As good as most first novels get”

“Every season has its Big Book, the one everyone is talking about, and this season, it’s The Farm. This debut by Joanne Ramos is as good as most first novels get.”

Globe and Mail (Canada)

“Some Novels are born with book club DNA.”

“Some novels are born with book club DNA, great narratives that can also spur energetic discussions. Debate will rage around the treatment of the young women at the Farm, but the novel’s complex mélange of personalities brings a somewhat improbable story stirringly to life.”


“Unnervingly plausible…”

“Unnervingly plausible…Ms Ramos inhabits each [character] with affection, sensitivity and a keen ear for voice. Together, these women tell a story of an America in which ‘you must be strong young if you are not rich.’”

The Economist

“This Generation’s Answer to the Handmaid’s Tale”, an interview with VOGUE UK

This Generation’s Answer To ‘The Handmaid’s Tale’ Could Not Have Come At A More Pressing Moment

Joanne Ramos’s debut novel The Farm, which explores women’s control over their bodies, has been compared to The Handmaid’s Tale. She talks to Vogue about what inspired her tale of a surrogacy facility for the super-rich, and why, in the face of recent alarming changes to reproductive rights, she believes optimism is women’s “only choice”.

“I couldn’t have predicted it,” Joanne Ramos says of the timeliness of her debut novel, The Farm. It’s set in a not-all-that-implausible world in which the offspring of the one per cent are carried to term by “Hosts”, recruited to lease out their bodies for nine months in exchange for a stipend, plus the promise of a delivery bonus that could prove life-changing for a young, fertile woman with limited financial prospects.

The surrogates – most of whom are black or Filipino, with a minority of white women marketed as “premiere” Hosts – are housed in spa-like luxury at Golden Oaks, a farm in upstate New York with chef-prepared meals and massages on tap. But they are also kept under 24-hour surveillance, their emails are monitored, and visits from their own children are restricted as a means of “incentivisaton”.

Given that The Farm explores women’s agency over their bodies, it makes for particularly pertinent reading at a time when their reproductive rights are under threat – nowhere more conspicuously so than in America. Earlier this month, Georgia became the sixth state to outlaw abortion after the six week mark. Last week Alabama took things further still, voting on 14 May to ban abortion in virtually all cases, a decision that prompted an outcry from women (and men) all over the world.